The objective of this article is to analyze, in light of Benveniste's theory, some discursive strategies of the construction of enunciative instances that are present in Chico Buarque's compositions, and the effect of the meaning produced by them. Initially, the basic principles of the theoretical scene of reference are presented, making evident how the strategies are used in the construction of the enunciator/enunciatee relation in some of the compositions of the author. Furthermore, based on the song "Trocando em miúdos" - the object of analysis - the mode of integration and articulation of the strategies are analyzed in the enunciative process, with the intention of demonstrating that the enunciator/enunciatee relation constitutes an essential factor in the process of construction of authorship and of the notion of subject.
articulation; enunciative instance; subject; authorship