ABSTRACT
This article intertwines reflexions on the development of the actor's physical presence through a pre-expressive work with the Neuter Mask, according to the pedagogic system of Jacques Lecoq, in an academical artistic experiment with undergraduates from the Theater course at Federal University of Rio Grande do Sul during the creation of the play O Sobrado.
Keywords:
The Art of the Actor; Jacques Lecoq; O Sobrado (play); Pre-expressivity; Neuter Mask