Abstract
The work aims to discuss the importance of including black women in productions of Social Psychology and Critical Theory, as a study of production of memory and science. We put Carolina Maria de Jesus and Slam poets on stage narrating a Brazil from the margins, of resistance against epistemicide and of opposition to preconceived ideas about our history. In dialogue with Carolina's diaries and the Slam women, authors from Critical Theory, Social Psychology, and Black Feminism build the narrative. We use intersectionality as a lens for analyzing the experiences narrated by the authors, understanding the intersection between race, class, gender, and other oppressions as aspects that constitute not only the singularities that are shown in their life stories but also in the elements that orbit as a Brazilian collective identity.
Keywords:
Social Psychology; Intersectionality; Memory; Narration; Black Women