ABSTRACT
Beards are an indication that man has reached maturity. It is with this idea in mind that the songs from the second album by artist Baco Exu do Blues, Bluesman, are analyzed. At the early age of 22, in his act of creation, Baco criticized the conditions of socioeconomic inequality and racism imposed on people of African descent, acting as an ideological sign in the construction of a Black Consciousness. As a symbol of insurgency, Baco also used mythical language to compose an identity and format his rap, creating a hero. Hip hop criticizes racial capitalism, established in Brazil with the colonization and the arrival of enslaved Africans. The compositions are analyzed as cries of resistance to necropolitics – a call to perform acts that relate ethical values and poetry when doing politcs.
KEYWORDS:
Act of creation; Baco Exu do Blues; Necropolitics; Ideological sign