ABSTRACT
The article proposes a reflection on the condition of exile in the work Diary 1973-1983 by David Perlov, a Brazilian filmmaker based in Israel, beyond its usual conception (that of a filmmaker retreating into his own apartment from where he would produce the first images of his filmic diary). Taking as a starting point the feeling of foreignness that the filmmaker carried and his announced desire to document everyday life (the facts and nothing else), I present an exile of a different nature that is characterized as a retreat behind the image or to a metaphysical space-time between image and spectators.
KEYWORDS
Diary 1973-1983; Filmic Diary; Exile; Narration; Image
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