Analytical study about structural aspects of Fantasia Sul América for solo clarinet by Claudio Franco de Sá Santoro (1919-1989). It proposes a formal segmentation based on motivic analysis in order to show its constituent elements. It raises investigative questions and provides subsidies that may help players in interpretative choices. It aims at contributing to deepen general knowledge in instrumental musical performance, especially of Brazilian contemporary works.
Claudio Santoro; Fantasia Sul América; Brazilian music for clarinet; musical analysis and performance
