LATEMO-E: Banco de Dados de Filmes para Suscitar Emoções e Avaliar Dimensões Emocionais para Latino-Americanos

Michelini, Yanina; Acuña, Ignacio; Guzmán, Juan Ignacio; Godoy, Juan Carlos

doi:10.9788/TP2019.2-13

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Sumário

Article • Trends Psychol. 27 (2) • Apr-Jun 2019 • https://doi.org/10.9788/TP2019.2-13 copiar

LATEMO-E: Banco de Dados de Filmes para Suscitar Emoções e Avaliar Dimensões Emocionais para Latino-Americanos

Autoria SCIMAGO INSTITUTIONS RANKINGS

Resumo

Introdução:

os clipes são os estímulos mais utilizados para induzir diferentes estados emocionais.

Objetivo:

identificar, selecionar e avaliar um conjunto de clipes de filme de acordo com a discrição e dimensionalidade da emoção. 437 fragmentos foram sugeridos por especialistas em filmes, mas 70 atenderam aos criterios de inclusão em um banco de dados de filmes. Estudo 1: os 70 clipes foram testados em sua capacidade de induzir: nojo, raiva, medo, tristeza, diversão, ternura e neutro (N = 147 participantes; M = 20,64; DP ±2,21). Resultados: 28 clipes apresentaram escores adequados de intensidade e discrição. Estudo 2: 28 clipes selecionados foram reavaliados em uma nova amostra de 106 participantes (M = 20,96; DP ±2,45).

Resultados:

os clipes de raiva e diversão foram os mais extremos nas dimensões de valência e ativação. Clips de raiva e medo foram as categorias mais extremas nos indicadores de intensidade, certeza e controle.

Conclusões:

os estímulos foram úteis para induzir estados emocionais que podem ser julgados tanto pela perspectiva dimensional das emoções quanto pela perspectiva básica das emoções. Além disso, as emoções evocadas são diferenciadas de acordo com os padrões cognitivos de avaliação que guiam o comportamento em resposta à estimulação emocional.

Palavras-chave:
Conjunto de fragmentos de filme; indução de emoções; emoções discretas

		VAS (%)	SAM (%)			CED (%)	CED Target Label × CED Emotional Label
Emotion	Film Clip (Abbreviation)	Target Emotion	Valence	Arousal	Control	Target Label	Disgust	Anger	Fear	Sadness	Amusement	Tenderness
DISGUST	Planet Terror (PTE)	79	68	90	58	89		.00	-.02	.02	.03	.00
	The Human Centipede II (ECHII)	83	78	96	67	78		.15^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.11	.12^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.04	.00
	Slumdog Millionaire (QQM)	65	35	80	50	60		.00	-.02	.06	.06	-.03
	Kynódontas (COL)	65	90	85	65	55		-.02	.05	.08	.00	.00
	Inglorious Bastards	40	73	80	27	54		.01	.00	-.07	-.01	.00
	Dumplings	15	20	30	25	15		.02	-.06	.07	.02	-.07
	Black Swan 1	90	65	90	65	10		.05	.35^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.03	.20	.02
	Black Swan 2	87	33	10	67	34		.05	.06	.23^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.13	.08
	El Laberinto Del Fauno	60	40	60	20	47		.00	.10	.01	-.08	-.05
	Hostel	80	73	87	67	54		.25^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.03	.09	.03	.00
ANGER	Irréversible (IRR)	84	100	100	53	84	.13		.10	.19^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	.00
	Django Unchained (DJA)	93	87	93	73	74	.20		.07	.33^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.05	-.07
	The Kite Runner (CEC)	90	85	90	65	70	.18^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.		.11^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	.00	.00
	12 Years a Slave 2 (12A2)	70	95	90	75	65	.11		-.02	.18	.00	.00
	12 Years a Slave 1	85	100	85	50	35	.15		.08	.10	.00	.13
	Taken	60	45	75	60	40	.02		.13	.32^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00	-.06
	Carrie	68	53	53	37	32	-.01		.02	.14	.06	.01
	All Is Lost	67	67	61	50	18	.00		.05	-.01	.18	.02
	Gladiator	79	73	74	42	12	.09		.27^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.02	-.07	-.08
	Man on Fire	65	40	60	35	20	.03		.02	.13	-.06	.00
FEAR	The Conjuring 2 (CON2)	100	80	100	87	93	.00	.00		.00	.00	.00
	The Conjuring 3 (CON3)	75	81	94	63	69	.00	.00		.03	.02	.00
	Mirrors (ESI)	93	86	93	67	67	-.01	-.03		-.07	-.01	-.01
	The Conjuring 4 (CON4)	93	71	100	79	64	-.04	-.01		.01	.10	.11^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	The Conjuring 1	65	60	95	60	55	.00	-.01		.00	.05	.00
	The Descent	65	50	70	65	30	.19	.02		.03	-.13	.01
	The Rite	81	50	88	50	44	.09	-.05		.15	.06	.10
	The Woman In Black	61	45	61	33	28	.00	-.14		-.08	.02	.00
	Insidious 1	83	60	96	61	56	.00	-.01		.03	.07	-.02
	Insidious 2	75	60	85	65	40	.01	.16^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.		.07	.06	.00
SADNESS	The Boy in the Striped Pajamas (NPR)	90	90	95	55	85	-.03	.09	.01		.00	.08^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	My Sister's Keeper (DMD)	89	73	90	47	74	-.01	.00	.11		.00	.10
	Never Let Me Go (NMA)	75	45	80	50	70	.00	-.04	-.03		-.01	-.02
	The Impossible (LIM)	85	75	75	70	65	.01	-.01	-.03		-.06	-.04
	12 Years a Slave 3	65	50	70	35	60	.00	.06	-.01		.00	.02
	(500) Days of Summer	74	11	63	47	21	.02	.12	.00		-.06	-.04
	The Notebook 2	83	35	83	44	50	.00	.02	-.03		-.01	.06
	Interstellar	85	75	85	65	55	.00	.01	-.02		-.03	.07
	Mystic River	60	40	60	45	45	-.02	-.02	.00		-.01	-.04
	Et maintenant. on va où?	60	60	40	27	33	.06^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.06	.01		.05	-.03
AMUSEMENT	The Hangover Part III (QPAIII)	87	92	88	50	83	-.02	-.01	-.02	.00		-.04
	Blended (LMF)	85	90	100	35	80	.00	.00	.00	.00		-.03
	The Hangover (QPAI)	60	72	68	24	76	-.02	03	-.01	.00		.00
	The Proposal (LPR)	78	96	83	44	67	.00	.03	.00	.00		.12
	A Dirty Shame	91	61	83	44	64	.06	.01	.04^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.03		.02
	Anchorman: The Legend Continues	60	76	72	48	54	-.01	.02	.00	.00		.07
	The Heat	64	76	72	44	64	-.01	.00	.00	.00		.00
	Bridesmaids	82	72	64	32	66	-.01	.01	.05^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.00		.00
	Napoleon Dynamite	65	75	55	35	65	.04^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	-.02	.00	.03		.03
	Easy A	74	61	70	44	61	-.01	-.04	.00	.00		.05
TENDERNESS	Pride and Prejudice (OYP)	65	78	61	44	70	.00	.00	.00	-.04	.04
	Les Choristes (LCO)	61	58	58	42	65	.00	-.01	.00	.02	.02
	He's Just Not that Into You (SNQ)	79	72	86	38	55	.00	.04	-.01	.00	.06
	The Notebook (DUP1)	70	65	80	50	50	.06	-0.11	-.05	-.05	.11
	Her 2	53	40	53	83	30	.04	-0.01	.00	.02	.13
	Her 3	47	42	63	26	42	.00	.00	.05^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.04	.05
	And So It Goes	52	48	52	32	20	.00	-.04	.01	.04	.33^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.
	Catch and Release	37	4	46	25	8	.00	-.08	-.02	.22^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.	.11
	Paris. je t'aime	52	60	40	20	44	.00	.00	-.01	-.02	.02
	Only Lovers Left Alive 2	46	67	42	33	42	.00	.00	.00	.00	.22^* * significant association; 1 Numeration to extracted film clips from the same film; I Numeration belonging to the name of the film.

		VAS (%)	SAM (%)			Emotional Targets CED (%)
Emotion	Film Clip (Abbreviation)	Target Emotion	Valence	Arousal	Control	Disgust	Anger	Fear	Sadness	Amusement	Tenderness	Anxiety	Bewilderment
NEUTRAL	Her 1 (ELL1)	75	75	62	87	100	96	92	88	83	92	83	71
	Holy Motors (HMO)	96	92	76	76	100	100	100	100	100	96	88	64
	La Vie d'Adele (VDA)	96	100	72	72	100	100	100	96	92	100	76	68
	Samsara (SAM)	68	64	52	68	100	100	100	100	88	88	76	68
	Amelie	72	68	64	60	100	100	100	100	72	84	56	40
	Master and Commander	72	52	72	80	100	100	100	96	68	96	92	80
	The Bourne Legacy	60	84	56	64	100	100	92	92	84	100	60	56
	La Grande Bellezza	96	79	67	92	100	100	100	100	88	100	83	54
	Ingen Numsil - Die Geschichte vom weinenden Kamel	86	92	69	65	100	97	97	97	100	86	83	52
	Only Lovers Left Alive 1	96	88	76	84	100	100	100	100	88	100	80	52

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