Abstract
Contemplating the abstract painting process of a resident in a social care institution, we propose a reading based on an ongoing ethnographic research with a pragmatic-phenomenological approach that emphasizes the centrality of the temporalization effects in the coordination of the situated action. The creative experience inherent in the course of the action of painting requires that the actors involved in it synchronize and orient themselves, so we propose to identify and describe the plurality of temporalities that guide the painting process, as well as the mesh of bodily, gestural, objectual and discursive operations that overlap them.
Keywords:
Temporality; Situation; Artistic creation; Pragmatist sociology; Pisão