ABSTRACT
This paper examines Oswald de Andrade’s essayistic production and explores the intersections between the uses of history and the formulation of an ethical-political utopia of emancipation. The argument centers on the proposition that Oswald’s thought employs a dual temporality regime, combining cyclical and linear forms of historical time, where images of a remote matriarchy intertwine and merge with the progressive hope for a hyper-technological future
KEYWORDS
Oswald de Andrade; theory of history; Brazilian thought.