PURPOSE: to draw the vocal profile of choir conductors in the State of São Paulo. METHODS: one hundred fifty choirs conductors in the State of São Paulo took part in this study. Data collection was carried out by the same researcher, at the working places of the subjects by means of closed survey. RESULTS: the conductor’s average performance of the activity is 8.4 years. They conduct different sections at different times, they sing together with the sections, do warming up but do not do cooling downs. For choir tune up they use the piano and/or their own voice. Most of them consider spoken voice similar to sung voices and both are efficient. There is agreement concerning talent and technique as necessary components for a good sung voice. After having been conductors for years, the vocal range is broader, the vocal quality is more stable and passage more controlled. The intensity at pianissimo and fortissimo remains unaltered. The vocal complains that are most observed were hawks, hoarseness, dry throat, excess of secretion in the throat, fatigue after singing and tension in the throat. Most conductors complained about up to three vocal symptoms, do not smoke, do not drink, do not usually scream, do not hawk, speak a lot and eat late at night. CONCLUSION: vocal symptoms were associated with worsening and/or restriction of several specific parameters of singing voice. The most altered parameter among the symptoms was the vocal quality.
Voice; Voice Quality; Voice Training; Music; Voice Disorders
