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PERFORMANCE AND ANTHROPOLOGY • Rev. Bras. Estud. Presença 11 (2) • 2021 • https://doi.org/10.1590/2237-2660102528   copy

Paloma Bianchi’s Choreographic Work Hacia as a Practice of Amerindian Perspectivism

La Pièce Chorégraphique Hacia de Paloma Bianchi comme Pratique du Perspectivisme Amérindien

Authorship SCIMAGO INSTITUTIONS RANKINGS

ABSTRACT

This text analyzes Hacia (2019) as a critical choreographic device facing the problem of disenchantment of the world derived from the separation between nature and culture inherited from Modernity/coloniality. Hacia puts into practice two notions of Amerindian perspectivism: one that recognizes the relational agency of all entities in the world; and another which raises knowledge as a process of subjectivation that implies bodily, sensory and imaginative dimensions. This analysis proposes a dialogue between the areas of anthropology and contemporary performing arts creation in Brazil.

Keywords:
Choreography; Amerindian Perspectivism; Subjectivation Processes; Relationship Modes; Corporeality

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