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Dramaturgy as a Source for a History of Stage Lighting: Pirandello capocomico thinker of lighting 13 1 This article resulted from the research Capocomicato e metateatro: o fazer e o pensamento da iluminação na dramaturgia pirandelliana, developed as part of the postdoctoral studies in the reserach lines in History and Historiography of Theater and Arts of the Post-graduation Program in Performing Arts of Universidade Federal do Estado do Rio de Janeiro (UNIRIO), supervised by professor Maria de Lourdes Rabetti, PhD (August 2017-July 2018), financed by the Coordination for the Improvement of Higher Education Personnel - CAPES (December 2017-July 2018).

Abstract:

The present article, in the proposal of a history on the thought about the making of a modern stage lighting, focuses on the context of the early 20th century modern Italian scene, using the metatheatrical dramaturgy of Luigi Pirandello as documentary source for the history of theater. Thus, it deals initially with the methodological questions implied therein, to later undertake analyzes of the plays that form his Theater in the Theater trilogy, focusing on the articulation between the notions of visibility and visuality, proposing them as key concepts for understanding light in the modern scene, beyond the dichotomy light to see and narrative or effect light.

Keywords:
History and Historiography of Theater; Documentary Sources; Scenic Lighting; Micro-History; Modern Theater

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