This article circumscribes its problem as concerning the relationship between the aesthetical field and the subjectivation processes; more specifically it aims to analyze the possible stylistic effects of the psychoanalytical discourse on the subjectivity of both speaker and listener. To do so, it takes the analysis of the analyst's discourse, systemized by Lacan as a strategy to understand the matter of style in psychoanalysis. Unveiling the structure of the analytical discourse, understood as the analyst's discourse, it is possible to identify that, through style, emerges the possibility of inscription of the object a, as a mark of the real on the symbolical order reigned by loss.
psychoanalysis; style; art of saying well; object a
