Based on the contributions from the Critical Theory of Society of Theodor W. Adorno, this paper makes an epistemological and pedagogical reflection on body and its expressions, specially on two original forces: mimesis and remembrance of nature in the subject. The body finds a dialectical place in the process of forgetting and refusing nature in the subject. If nature and the subject's memory are an expression of an uncertain and stoned subjectivity, mimetic behavior in corporal practices is however a possibility or resistance against instrumental rationality.
body education; nature remembrance; mimesis