The process of the constitution of the subject occurs through semiotically mediated social relationships. Through the production of meanings the human being produces culture and, simultaneously, constitutes its singularity, which characterizes the process as creative. While acknowledging language as constitutive of the subject and the comprehension of the creative process as unique to humans, current analysis presents some considerations, based on historical-cultural psychology, on the creative processes with language writing. Situations from a previous research are shown to illustrate the dichotomies during the process of writing production, more specifically the relations between shape/content and technique/meaning. So that these dichotomies may be overcome, it is necessary to establish aesthetic relations with reality. Through reality the subject may distance him/herself from or approach the writing production whether or not it is his/her production. Such shifting permits the organization of new meanings for one’s own or for others’ production, or rather, for new writings.
Writing language; aesthetic relations; constitution of the subject