Abstract
In this article, we sought to demonstrate that there is in Deleuze’s philosophy an original reflection on death, which cannot be exhausted by an idea of negativity so common inside the Hegelian tradition. To achieve this objective a relation will be draw between Adornian notion of late style and Deleuze's late works - especially L'épuisé, We seek to highlight the presence of this idea of death and to differentiate it from the notion of negative so criticized by Deleuze. Once drawn the nature of this reflection, we intend to question its preponderance in Beckett's late works for television.
Keywords
Image; Possible; Death; Negativity