Abstract
The purpose of this article is to analyze two fictional works, Arthur Machen’s novella The Great God Pan and Salman Rushdie’s novel Shame, which contain unusual situations and events, examining them to discuss how the fantastic elements in both texts relate to the context of production of the works, that is, respectively, the nineteenth century and the second half of the twentieth century. Machen promoted a break with the tradition of horror stories, then in vogue, and Rushdie introduced features of Magical Realism into the Indian Postcolonial Literature. Temporally distant, the two works resort to the same device, typical of fantastic fiction, the metamorphosis of characters, and, through it, the authors build a subliminal criticism of the political and social system dominant in their own time.
Keywords:
Uncanny; Fantastic