Abstract
Produced in the 1960s by members of the extinct CPC da UNE, the Show Opinião can be considered the most complete synthesis in the cultural field of everything that came before and after the coup of 1964. This article, our intention is analyse elements of popular culture, through of the contact and mediation of exponents Popular Brazilian Music (MPB) that, in the second half of the decade, inside the national stages at the same time as the musical.
Keywords
theater; music; national-popular; military dictatorship; Brazil