Abstract
Just as it is possible to trace a history of the songs of birds, of their reception by human beings, and of how humans relate to them, it is also possible to speculate on whether these songs can function as history, a living, resounding history, to which degree and in which ways. As well as on how that avian story would differ from the human one, or if it could enrich it. Many birds, after all, learn their songs from each other, they build on and complicate them, picking up other sounds they incorporate, human sounds included. Thus, they create soundscapes that are not always in the background: sometimes, they claim their relevance and take the foreground, in history and as history.
birdsong; resounding spring; Streptopelia decaocto; Parus major; Turdus merula