The present work is a way of conjugating the effective power of Deleuzian aesthetic thought in relation to art, theater and writing. The body is presented as the privileged space of creation and exploration of sensitivities, as a field of battle of aesthetic-political subjectivities. Thus the corporealizing thought would be a cartography of aesthetic sensations, where the body conjures from critical, playful and perverse, insistent forms of identity, of sameness, its harmony and its dogmatic condition of capturing the creative forces.
aesthetic; critique; theatre; body; Deleuze