ABSTRACT
The field of Education, when traversed by philosophy, art and science, can be connected to the universe of images, differing intensively from its usual capacities of thinking, imagining, creating and inventing the new, especially focusing on relationships between subjects and knowledges. Thinking the urgency of pointing fissures of a modern constitution closed in a structure of subject education linked to knowledges authorized to say it as a truth. It borders the potencies of images and their possible effects on bodies and matters of expression, external to a perception that do not work in a conciliatory or habitual way in which they are usually felt. Dialoguing with the theoretical framework of the philosophies of difference, especially the works of Gilles Deleuze, two movies were chosen as an intercessor for analytical and creative operations that inspire displacements of usual relations between subjects and knowledges into education field. Thus, it traces lines of flight to think in the interval, from the idea of contrast and its important intensification ‘between poles’: genre, classification, judgment. It is also thought through the infantile-image, a concept that arises within the margins of cinema, education, and philosophy, and which has a close bond with the contrasts that dimension childhood and its lacunar senses.
Key-words:
image; philosophy of difference; cinema; subject