Abstract
This article analyses the insertion of Luiz Ruffato’s project Inferno provisório and his trajectory in the Brazilian literary field. With its objectives always demarcated by his author in interviews, Inferno provisório emerges as a project, but that could be analyzed under another perspective, if the positions that the writer occupies in the field are taken into account. Thus, the essay examines public texts in which the author positions his work and his name in an attempt to identify and analyze the relationships that he establishes. The essay’s attempt to place his work in the space of production.
Keywords:
literary field; criticism; movements; Luiz Ruffato