ABSTRACT:
This article is a branch of a research that problematizes the encounter of art with education in Brazil in the last two decades. Based on analytical procedures from Michel Foucault's thought, we sought to delineate the conditions for the possibility of the transition from a subject established, according to Ana Mae Barbosa, in practices such as that of the Orpheonic Singing to a subject forged in Visual Culture. We worked with an extensive range of academic journal articles, which allowed us to map an archive in which such practices were instituted. Despite aiming at an emancipatory project of social change, we perceived that such a transition is absolutely paired with the recent models of social control of the subjects of education.
Keywords:
Art-education; Philosophy of education; Pedagogization; Education of visual culture; Orpheonic Singing