This article is based on the hypothesis that the history of Argentine documentary film is more regional than metropolitan, with production points scattered across the country. And thus aims to contribute to the discussion about artistic territorialities. Based on our own research on documentary films produced in different parts of the country and particularly in Buenos Aires province, we consider the categories of region and middle-sized city to problematize them produce and produce a theoretical-methodological synthesis that allows to include in future artistic studies the concrete experiences thought, produced and consumed in Argentine provinces.
Audiovisual; Region; Middle-sized city; Documentary film; Art