ABSTRACT:
This text is a brief reflection on processes of interaction between teachers and students in the context of a critical-performative pedagogical practice. The research aims to analyze the elements that constitute one of the founding yearnings of the educational practice: the establishment of a common life in a world ruled by the own. In other words, the study seeks to reflect on from the assumptions of critical-performative pedagogy, Relational Aesthetics and some contemporary thinkers - such as Jacques Rancière, Tzvetan Todorov and Giorgio Agamben - the game between the own (singular) and the common (the similar and/or plural) in the formative processes mediated by performative pedagogical practice. The study is presented, thus, as of essayistic character, being developed through the exploitation of eminently bibliographic materials.
Keywords:
Critical-performative pedagogy; Performance; Giorgio Agamben; Relational Aesthetics