Abstract
“The text aims to characterize what Oiticica called “invention”, which was triggered by the discovery of the body in Parangolé and that conducted his experimental program until the end, beyond painting, through a set of propositions that implemented an opening process of the structures and the “sense of constructivism” in the constitution of the environmental art as an ethical-esthetic resizing of the transmutation of art.
keywords:
invention; sense of constructivism; experimental; environmental; beyond painting