Abstract:
This essay deals with thinking about a literary subjectivity and, with it, a clinical way conducive to understanding the concept of sublime-action, thus spelled due to the renewal of its use. It considers the work and, in a sense, the life of the writer Wilson Bueno, drawing from its intertwining analytical consequences that bring to the same plane of examination the notions of sublime-action and synthoma, the latter as conceived by Lacan. Deleuzian, Nietzschean, and Bergsonian concepts that should offer ethical and clinical perspectives of unexpected scope to analytical knowledge will also be employed.
Keywords:
literary subjectivity; drive; sublime-action; one life; extemporaneous